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2014 | 17 (2) | 150--160
Tytuł artykułu

Revision of the American Frontier in Doctorow's; Welcome to Hard Times

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EN
Abstrakty
EN
The present paper seeks to demonstrate how Doctorow revises the history of America in his Welcome to Hard Times. The novel is written in the tradition of a parody which is the most characteristic technique employed in postmodern fiction. Setting his novel in the late nineteenth century Dakota County, Doctorow debunks traditional notions of the west as a land of endless opportunity, freedom and success. This he achieves through the inversion of character, setting and events in the cyclic structure of the novel. But the novel is not only a parody of the western. In this novel parody is a tool which provides Doctorow a means to reach a broader objective; by inverting traditional notions of the western, Doctorow not only the reader revise his understanding of the western myth of frontier expansion in particular and the American dream of hope for a better future and economic prosperity in general. (original abstract)
Słowa kluczowe
Rocznik
Tom
Strony
150--160
Opis fizyczny
Twórcy
autor
  • University of Tehran, Iran
Bibliografia
  • [1] Bevilacqua W. F., "The Revision of the Western in E. L. Doctorow's Welcome to Hard Times". American Literature 61 1989) 78-95.
  • [2] Cawelti J., Adventure, Mystery, and Romance. Chicago: University of Chicago Press, 1976.
  • [3] Cooper S., "Cutting Both Ways: E. L. Doctorow's Critique of the Left", South Atlantic Review 58 (1993) 111-125.
  • [4] Cuddon J. A., The Penguin Dictionary of Literary Terms and Literary Theory. London: Penguin Group, 1998.
  • [5] Dentith S. Parody; the New Critical Idiom. London and New York: Routledge, 2002.
  • [6] Doctorow E.L. Welcome to Hard Times. New York: Random House, 1998. Reporting the Universe. Harvard: Harvard University Press, 2003. American Conversations. http://www.archives.gov/about/archivist/conversations/080925DoctorowTranscript.pdf
  • [7] Drábek P., Jan Chovanec, ed. Theory and Practice in English Studies 2 (2004).
  • [8] Eagleton T., The Illusions of Postmodernism. London: Wiley-Blackwell, 1996
  • [9] Fiedler L. A., The Collected Essays of Leslie Fiedler, Vol. 2. New York: Stein and Day, 1971.
  • [10] French P., Westerns. London: Seeker & Warburg, 1973.
  • [11] Gass, W. H., Willie Masters' Lonesome Wife. Dalkey Archive Press, ISU Campus Box, the University of Michigan 1989.
  • [12] Hutcheon L., A Poetics of Postmodernism: History, Theory, Fiction. London: Routledge, 2004.
  • [13] Nicol B., The Cambridge Introduction to Postmodern Fiction. Cambridge: Cambridge University Press, 2009.
  • [14] Patricia W., Metafiction, The Theory and Practice of Self-Conscious Fiction. New York: Routledge, 1984.
  • [15] Temperley H., Chris Bigsby, ed. A New Introduction to American Studies. UK: Longman, 2005.
  • [16] Tokscyzk M., E. L. Doctorow's Skeptical Commitment. New York: Peter Lang, 2000.
Typ dokumentu
Bibliografia
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Identyfikator YADDA
bwmeta1.element.ekon-element-000171345693

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