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2009/2010 | 11/12 | 5--20
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Understanding Paul Robeson's Soviet Experience

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EN
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EN
Paul Robeson - the African-American singer, actor, and political activist - was a controversial figure during his lifetime, and continues to be to this day. In recent years, numerous articles and books have come out reevaluating both his accomplishments as an artist and his stand on political issues. While there is general agreement about his tremendous gifts as an actor, singer, athlete, and scholar, much of the debate about his life centers on his controversial politics. This paper adds to the existing analysis on Robeson by focusing on an understudied part of his life; namely, the time he spent in the Soviet Union and the impact that his performances and interaction with the Russian people had on his political beliefs and his feelings about himself. (fragment of text)
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Bibliografia
  • J. Skvorecky, K. Polackova-Henley, The Bass Saxophone, New York 1979, p. 19.
  • L. Siegel, "The Real Meaning of Paul Robeson's Centennial: The Red and the Black," The New Republic, December 14, 1998, p. 18.
  • R. Robinson, Interview by Martin B. Duberman, May 18, 1988 discussed in Paul Robeson: A Biography, Ballantine, New York 1989, p. 641, note 17.
  • B. Gewen, "The Robeson Record," The New Leader, February 20, 1989, p. 18.
  • L. Holy, The Little Czech and the Great Czech Nation, University of Cambridge Press, Cambridge 1996, p. 141.
  • Paul Robeson's, "Land of Love and Happiness," a speech given at a meeting of the National Council of American-Soviet Friendship, New York, November 13, 1952
  • Paul Robeson Speaks: Writings, Speeches, Interviews (1918-1974), ed. Philip S. Foner, Brunner/Mazel Publishers, New York 1978, p. 328-330, pages 329 and 328 respectively.
  • P. Gilroy's, The Black Atlantic: Modernity and Double Consciousness, Harvard University Press, Cambridge, MA 1993, p. 18-19.
  • M. Seton, Paul Robeson, Dobson Books, Ltd., London 1958, p. 94-95.
  • Ch. E. Payne, "Paul Robeson: A Psychobiographical Study of The Emotional Development of a Controversial Protest Leader" (PhD diss., Northwestern University, 1991), p. 154.
  • G. Hutchinson, "Invoking a National Negro Theatre," [in:] The Harlem Renaissance in Black and White, Harvard University Press, Cambridge 1995, p. 163.
  • The Observer (London), "The Negro On the Stage; Interview with Mr. Paul Robeson 'The Hairy Ape'", May 10, 1931, see also M. Duberman, Robeson: A Biography, p. 149.
  • A. Montagu, Touching: the Human Significance of the Skin, Columbia University Press, New York 1971.
  • P. Robeson, testimony for the House Un-American Activities Committee, July 23, 1956 published in Robeson Speaks, 427.
  • M. Michalski, "Tractor Drivers and Trapeze Artists: Soviet Cinema of the 1930s," Lecture with three-page handout. University of Chicago, February 22, 1999.
  • P. Robeson, Here I Stand, Othello Associates, New York 1958, p. 44.
  • P. Robeson, "To You Beloved Comrade," [in:] Paul Robeson Speaks: Writings, Speeches, Interviews (1918-1974), ed. Philip S. Foner, Brunner/Mazel Publishers, New York 1978, p. 347.
  • P. Robeson, "U.S.S.R. - the Land for Me," [in:] Paul Robeson Speaks: Writings, Speeches, Interviews (1918-1974), ed. Philip S. Foner, Brunner/Mazel Publishers, New York 1978, p. 106.
  • W. E. B. Dubois, The Souls of Black Folk, New American Library, Penguin Books, New York 1969, p. 45.
  • J. Roach, Cities of the Dead, Columbia University Press, New York 1996, p. 13.
  • A. Innaurato, "The Great Basses: Chaliapin and Robeson," program notes, Songs of Free Men: A Paul Robeson Recital Holland: Sony Music Entertainment, Inc., 1997, p. 12-15.
  • P. Robeson, "When I Sing," [in:] Paul Robeson Speaks: Writings, Speeches, Interviews (1918-1974), ed. Philip S. Foner, Brunner/Mazel Publishers, New York 1978, p. 115-116.
  • R. Robinson and J. Slevin, Black on Red: My 44 Years Inside the Soviet Union: an Autobiography, Acropolis Books, Washington, D.C. 1988, p. 318 and 319.
Typ dokumentu
Bibliografia
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Identyfikator YADDA
bwmeta1.element.ekon-element-000171497053

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