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2015 | 50 | 68--81
Tytuł artykułu

Orientalist Paintings and Said Orientalism

Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
Westerners came to this conclusion that to dominate Orient, they should gain sufficient knowledge about them. Therefore, they established the so-called field of Orientalism to study Orient since this knowledge gave them the power to rule. Based on this type of knowledge, they thought that there were sharp contrasts and differences between Orient and Occident and they tended to gain advantage from them. The problem started when Orient internalized these notions and embraced them with open arms due to the inferiority complex that was imposed on him. Orientalist painters also took their cues from the Orientalism to reflect their governments' ideas and politics in disguise. These paintings began in nineteenth-century and different artists from Britain, France, Italy, Germany and Spain went to the East or started to paint based on others' paintings or description of Eastern land. The problem is that some of these painters were first-hand observers but some others let their imaginations to shape their conceptions of Orient. Here, attempts have been made to review these paintings based on Said's book, Orientalism.(original abstract)
Słowa kluczowe
EN
Art   Culture  
PL
Sztuka   Kultura  
Rocznik
Tom
50
Strony
68--81
Opis fizyczny
Twórcy
  • Shiraz University, Iran
Bibliografia
  • Ashcroft, B., & D. P. S. Ahulwalia. (1999). Edward Said. New York: Psychology Press.
  • Griffiths, G., & Tiffin, H. (2000). Post-colonial Studies: The Key Concepts. London& New York: Routledge.
  • Post-Colonial Transformation. (2001). London& New York: Routledge.
  • Bailey, G., & Gayle N. (2003). Ideology: Structuring Identities in Contemporary Life. Toronto: University of Toronto Press.
  • Benjamin, R. (2003). Orientalist Aesthetic: Art, Colonialism, and French North Africa, 1880- 1930. Berkeley/ Los Angeles/ London :University of California Press.
  • Khalid, M.(2011). Gender, Orientalism and Representations of the 'Other'in the War on Terror. Global Change, Peace & Security: formerly Pacifica Review: Peace, Security& Global Change, 23 (1), 15-29. Retrieved from http://dx.doi.org/10.1080/14781158.2011.540092
  • Lewis, R. (2005) Oriental Femininity as Cultural Commodity: Authorship, Authority, and Authenticity. In J. Hackforth-Jones & M. Roberts. (Eds.)Edges of Empire: Orientalism and Visual Culture. Malden: Blackwell Publishing.
  • Said, E. (1977). Orientalism. London: Penguine.
  • Salhi, Z. S. (2012) Maghreb and the Occident: Towards the Construction of an Occidentalist Discourse. In I. Richard Netton (Ed.). Orientalism revisited: Art, Land, and Voyage London& New York: Routledge.
  • Orientalist Paintings. (n.d.). In Wikipedia. Retrieved August 14, 2014, from http://en.wikipedia.org/wiki/Orientalism
  • Tavakoli-Targhi, M. (2001). Refashioning Iran: Orientalism, Occidentalism, and Historiography. New York: Palgrave Macmillan.
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.ekon-element-000171502410

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