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2011 | 12 | z. 11 Participations and Assessments (2) | 109--122
Tytuł artykułu

The Beatles' Lyrics: Spontaneous Songwriting, Conventional Metaphors, and Open Readings from a Cognitive Linguistic Perspective

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EN
Abstrakty
EN
Spontaneous songwriting underlies so many well-known lyrics by the Beatles. Many texts, such as "A Day in the Life" (1967), originated in current newspaper articles or situational contexts (Marchbank, 1978, 92). In this way, Lennon and McCartney have written many songs which not only involve a lot of musical novelty, but are also open to various interpretations. These interpretations often go well beyond the ideas that actually shaped the lyrics. Some of the songs were considered poetry by the Beatles themselves. Lennon, for example, thought so about Across the Universe (1970), which appeared on the "Let It Be" album (Marchbank, 1978, 80). Whether one regards them as such or not, the lyrics frequently employ metaphors which make various readings possible. As in all poetic or artistic texts, the metaphors in the Beatles' lyrics are like those used by people in everyday interaction. In what follows, lyrics of four songs will be discussed. Each of them contains conventional metaphors. In the case of Maxwell's Silver Hammer (1969), the metaphor is deeply entrenched in everyday discourse. In "Happiness Is A Warm Gun" (1968), the conventional metaphors spring from a non-conventional piece of advertisement. "You've Got To Hide Your Love Away" (1965) and "Nowhere Man" (1965) both contain probably the most common of all metaphors, yet they take the possible interpretations much further than the original intentions of the authors. It is especially evident in the case of "Nowhere Man", which will be given most attention below. (fragment of text)
Słowa kluczowe
Rocznik
Tom
12
Strony
109--122
Opis fizyczny
Twórcy
  • University of Lodz, Poland
Bibliografia
  • Baym, N. et al. eds., 1986. The Norton Anthology of American Literature. Second Edition Shorter. New York: W. W. Norton.
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  • Kövecses, Z., 1986. Metaphors of Anger, Pride, and Love: A Lexical Approach to the Structure of Concepts. Amsterdam: John Benjamins.
  • Krzeszowski, T. P., 1993. The Axiological Parameter in Preconceptual Image Schemata. In: R. A. Geiger, B. Rudzka-Ostyn eds., Conceptualization and Mental Processing in Language. Berlin: Mouton de Gruyter, pp. 307-329.
  • Krzeszowski, T. P., 1997. Angels and Devils in Hell: Elements of Axiology in Semantics. Warszawa: Wydawnictwo Energeia.
  • Lakoff, G., 1987. Women, Fire, and Dangerous Things: What Categories Reveal about the Mind. Chicago: University of Chicago Press.
  • Lakoff, G., Johnson, M., 1980. Metaphors We Live By. Chicago: University of Chicago Press.
  • Lakoff, G., Turner, M., 1989. More than Cool Reason: A Field Guide to Poetic Metaphor. Chicago: University of Chicago Press.
  • Lakoff, G., Johnson, M., 1999. Philosophy in the Flesh: The Embodied Mind and Its Challenge to Western Thought. New York: Basic Books.
  • Marchbank, P. ed., 1978. Beatles in Their Own Words. Compiled by Miles. London: Omnibus Press.
  • Shakespeare, W., 1606 [1623; 1980]. Macbeth. In: The Complete Works of William Shakespeare. Toronto: Coles Publishing, pp. 1045-1070.
  • Stockwell, P., 2002. Cognitive Poetics: An Introduction. London: Routledge.
  • http://www.sing365.com/music/lyric.nsf/Happiness-is-a-Warm-Gun-lyrics-The-Beatles accessed 2008-09-12
  • http://www.sing365.com/music/lyric.nsf/If-I-Fell-lyrics-The-Beatles accessed 2008-09-12
  • http://www.sing365.com/music/lyric.nsf/Maxwell's-Silver-Hammer-lyrics-The-Beatles accessed 2008-09-12
  • http://en.wikipedia.org/wiki/Maxwell's_Silver_Hammer
Typ dokumentu
Bibliografia
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