Preferencje help
Widoczny [Schowaj] Abstrakt
Liczba wyników

Znaleziono wyników: 4

Liczba wyników na stronie
first rewind previous Strona / 1 next fast forward last
Wyniki wyszukiwania
Wyszukiwano:
w słowach kluczowych:  Disappearing professions
help Sortuj według:

help Ogranicz wyniki do:
first rewind previous Strona / 1 next fast forward last
Celem opracowania jest przegląd źródeł w obszarze zjawiska znikania zawodów. Sformułowano hipotezę wyjściową, zgodnie z którą przyczyną wypierania zawodów są nowe technologie oraz zastosowania sztucznej inteligencji. Wykazanie tej tezy czyni zasadnym sformułowanie hipotezy o możliwości identyfikacji konsekwencji i zagrożeń zjawiska ginących zawodów na polskim rynku pracy. Zastosowano metodę krytycznej analizy literatury, której wnioski pozwoliły na wykazanie obu hipotez.(abstrakt oryginalny)
Dokonano analizy sytuacji na rynku pracy w Polsce oraz analizy struktury wykształcenia bezrobotnych. Omówiono zagadnienie wykształcenia w kontekście konkurencji po stronie podaży oraz strukturę popytu na pracę w obrębie sektorów. Na koniec zaprezentowano kierunki dostosowania systemu kształcenia do potrzeb rynku pracy.
Interest in the design process observed in sociological analyses is related to the post-Fordist era and development of knowledge-based economy as well as the disappearance of certain professions from the job market and appearance of new ones. Therefore, publication of the book Designers. Professional role of the designer in the sociological perspective by Paulina Rojek-Adamek comes as no surprise. The monograph offers a relational approach to the analysis of the designer's profession and makes an attempt to characterise it by presenting descriptions of the job from three different perspectives: designers themselves, recipients of their work and experts from design-related institutions. Originality of the book and presented findings results from relational approach adopted in the description of the designer's profession the fact that profession is relatively new, particularly in Poland. (fragment of text)
Since the beginning of the 21st century, we have been witnessing an increasing number of entries on the UNESCO list of intangible cultural heritage. With them, critical scientific trends describing its positive and negative effects began to emerge. In this article, I discuss the sense of such entries, showing their evaluative dimension as well as the difficulties of recognizing the areas of minority cultures as heritage - the areas which despite meeting all the entry criteria are in conflict with the modern ideas of European culture. I analyze these issues, using the Gypsy/Romani culture as an example - and more specifically the profession of bear handlers in Romania, which, due to its numerous similarities in history, training methods and folklore, I treat as representative of other European regions too. The text discusses the possible origins of this occupation, the place of the Ursari in the Romanian social structure together with their financial situation, and the attitude of the Church and State to bear handlers. It also presents the methods of animal training the Gypsies have used and passed on through the centuries, as well as the reasons why this profession has been disappearing in Romania. In the final (second) part of the article, I will discuss whether there is such a thing as the management of Ursari heritage (versus the management of inconvenient heritage), and if there is - what it entails. The article uses qualitative research methods, including the analysis of historical sources (docu-ments from the offices of Moldovan, Wallachian and Transylvanian rulers and descriptions written by people travelling across former Romanian territories dated 14th-19th centuries) and ethnographic sources. In addition, the analysis also focuses on visual sources from Romanian territories associated with the Ursari as well as on the sources used during my own pilot ethnographic study on the cultural memory among the Roma from Romania. (original abstract)
first rewind previous Strona / 1 next fast forward last
JavaScript jest wyłączony w Twojej przeglądarce internetowej. Włącz go, a następnie odśwież stronę, aby móc w pełni z niej korzystać.